Peavey claims its new all-purpose Vypyr VIP amps offer 'the most advanced modeling on the planet' - but what does that mean in real life? Tim Slater finds out. Red giant universe 3.0 crack 2017.
Digital modelling guitar amps are now a well-established part of the musical landscape but it has to be said that, for the most part, instead of replacing tubes and speakers as the pro guitarist’s preferred recipe for kicking up a joyous racket, modelling has found its niche in home recording, practice amplification and smaller scale gigging.
This article was written by Nicole Levine, MFA.Nicole Levine is a Technology Writer and Editor for wikiHow. She has more than 20 years of experience creating technical documentation and leading support teams at major web hosting and software companies. Create a VYPYR folder on your desktop. Download the file VypyrUpdater22.exe and PeaveyVypyr158.syx to the same folder. Connect your MIDI device and install the appropriate drivers if necessary. Make sure your MIDI cable is connected to the Remote Switch jack on your VYPYR, AND the correct port on your MIDI to USB device. Mar 11, 2020 Help Loading Vypyr VIP Edit software to Mac. Post by duganderson » Mon Mar 02, 2020 2:11 pm I have a MacBook Pro that's about 1 year old. I can't get the editing software for the Vypyr VIP to load. Any suggestions? Wmjones Member Posts: 532 Joined: Sun Oct 20, 2013 6:39 pm. Although I have seen the Peavey VYPYR VIP 3 100W 1x12 amp sold as a guitar modeling combo amp that can 'morph' into a bass guitar amp, to an acoustic, and to an electric amp. There's two main components that come into play here - the amp itself, and the speakers and speaker cabinet that the amp is paired with. Sep 24, 2016 Messing around with shiz.
Having done a lot of impressive work with modelling in its original Vypyr series, Peavey has now revamped the Vypyr series to present digital amp modelling in an interesting new context.
Imagine owning a single multi-purpose guitar amplifier whose versatility enables it to reconfigure itself to amplify an electric guitar, acoustic guitar and even a bass! That's where the 'VIP' comes from, by the way. It stands for Variable Instrument Input.
The concept of a multi-purpose amplifier is not an entirely new idea and it's not fanciful: it works - the small UK firm Alligator had a pretty successful stab at it during the 1980s - but Peavey has thrown all of its formidable resources into making the Vypyr feel like a truly ground breaking amplifier and of course, is doing so with amp modelling technology which is really cutting edge.
The Peavey Vypyr VIP range currently features three models: the 40 Watt VIP 2 combo featured in this review, which is flanked by the 20 Watt VIP 1 practice combo and the VIP 3 100 Watt combo. All three amps are designed to accommodate electric and acoustic guitars or bass, using specially designed speakers and a network of separate digital amplifier simulations that reconfigure the amp’s input to match the frequency range and timbre of the particular chosen instrument.
In common with its siblings in the Vypyr range, the VIP 2 combo uses a lot of digital processing alongside Peavey’s analogue TransTube technology that the US giant has long employed on its solid state guitar amps to inject a more natural tube-like dynamic response.
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Peavey has been designing and manufacturing its own speakers for decades and its expertise is highlighted by the VIP 2’s single 12-inch driver, which is designed specifically to cope with the broad range of complex frequencies demanded by its multi-purpose role. In practice, the VIP 2 demonstrates a truly impressive ability to sound convincingly like an acoustic combo, bass combo or dedicated electric guitar amp - as we always say: check out the video! Even pounding low-end bass frequencies don’t appear to trouble the VIP 2; there was nary a hint of stress from the combo which consistently delivered clean and accurate bass response throughout our test.
The speaker is an important part of the equation but the digital modelling pre-amp controls the amp’s dual personalities by telling the VP2 what type of amplifier it is. In basic terms, when the user selects acoustic, electric or bass modes, the Vypyr is completely transformed into its target model. If you need further convincing it might be useful to know that the VIP2 combo actually won Best Bass Amp during winter Namm 2013, no mean feat by anyone’s standards!
The Vypyr series digital front end features 36 separate amplifier models, plus six separate amp models each for acoustic guitar and bass guitar. The amp also offers a generous selection of 12 stomp box and 11 rack style effects. All this cutting edge technology demands some pretty heavy processing firepower and the VIP 2’s effects and operating system are controlled by a powerful 32 Bit Dual Core 266Mhz SHARC processor.
Complex menus are avoided thanks to a simple system whereby the amp’s rotary controls are WYSWYG - they automatically store the user’s last settings until the controls are adjusted - with multi-coloured LEDs that help monitor the amp’s operating status and control settings.
Game ppsspp pes 2019. The electric guitar amp models each offer three virtual channels with clean, crunch and lead modes and besides ticking all of the most popular British and US amp types, the Vypyr also reflects Peavey’s tie-in with boutique manufacturer Budda. When an amp model is selected the processor automatically reconfigures the pre-amp and output stage circuitry to accurately replicate not only the sound of the target amplifier but also its feel; even the control knobs are programmed to respond in exactly the same way. One good example is the hot-rodded AC30 model whose tone circuit bypasses the tone stack, simulating the modification that Brian May and others have employed on their own modified AC30s.
What's more Peavey is building an online community, using editing software to develop new pre-sets using software readily downloadable from Peavey's website.
The Vypyr VIP's effects section includes a new selection of 10 instrument types including a 12-string guitar simulation, sitar, resonator, baritone, 7-string, electric violin and even a rather cheesy sounding synth patch. The patches can be combined with the amp’s other effects (chorus, phaser, flange, tremolo, delay, reverb, octave doubler, envelop follower) besides which they can also be harnessed to any of the VIP’s amp models.
The amp’s 30 second looper function can be deployed when the separate, optional, Sanpera foot controller unit is connected. The looper is only a one-shot system - you cannot lay down multiple overdubs - but is nevertheless handy for laying down a cool bass groove to solo over.
Vypyr Vip 2 Manual
The Peavey Vypyr series has lots of potential, especially as an educational tool.
Guitar teachers or educational institutions will surely be thrilled by the opportunity to own a one-stop amp for acoustic, electric guitar and bass guitar that really covers all of these separate bases with integrity and accuracy, regardless of which mode the amp is operating in. It is also incredibly affordable, especially considering its amazing flexibility, user-friendly design and the vast amount of great sounds onboard. If you are in the market for a super-flexible amp for practice, teaching and home recording the Vypyr has to be your first choice.
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more.. Gear • Amps • Reviews • 6L6 • Hybrid • Modeling • Tube Combo • Videos • PeaveyDownload Example 1 Dlx model, green channel (clean); Pregain 2:00; Bass 12;30; Mid 12:30; High 1:00; Post Gain 12:30; no reverb or delay. Guitar Vol at 10, Tone at 8. | |
Download Example 2 Plx model, red channel (dirty); Pre Gain 3:00; Bass 1:30; Mid 12:00; High 12:00; Post Gain 2:00; no reverb or delay. Guitar Vol at 10, Tone at 8 | |
UNK Standard in bridge position into Peavey Vypyr 60, close mic’ed with SM57 and run into a ProSonus Audiobox and Cubase 4. Guitar by Randall Davis. | |
Click here to listen to our latest Amp Room podcast interview with Peavey's General Manager of Product Development, Fred Poole |
It should be no surprise then that Peavey’s latest generation of combos are packed with the company’s slickest modeling technology yet—the Vypyr line features Peavey’s now mature TransTube technology and a blazing 32-bit floating point processor—but it may be surprising that the Vypyr has not managed to completely slay the valve. The Vypyr 60 and 120 models include a full complement of preamp and power tubes to provide the “feel” that’s been missing from so many other attempts at modeling. And while that hybrid approach isn’t completely new, Peavey’s execution is, meaning the Vypyr may very well be the first modeling amp to win a spot in your gear room.
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From the very start, it’s obvious that Peavey wants us to think of the Vypyr not as just another modeling amp (yawn), but a technological step forward (yeah!). The Vypyr Tube 60 is packed with a lot of powerful technology, but it’s the amp’s face that really delivers that futuristic message. Turning on the amp triggers an epilepsy-inducing lightshow on the front panel (this can be disabled), with the red and green LEDs surrounding each “encoder” (not knobs) dancing wildly until you plug into the input jack. I felt like I was on the bridge of the Starship Enterprise, which, depending on your particular sensibilities, is either a very cool or entirely unnecessary thing.
Peavey Vypyr Vip 2 Problems
And while having LEDs instead of numbers and lightweight encoders instead of beefy knobs initially felt a little alien, it’s a quick adjustment once you see how it all works together. Because the Vypyr includes so many tonal options the front face needs to be flexible. It works like this: your first three knobs from the right of the input—Stompboxes, Amp and Effects—control the main functions of the amplifier, and are ordered to simulate the order in which you would run a regular rig. Pressing either the Stompbox or Effects encoder will bring you into edit mode, and you’ll see the LEDs encircling the next group of encoders—Pre Gain, Low, Mid, High, Post Gain—switch instantly to represent the parameters of the effect you are editing, along with the amp’s Delay and Reverb settings. Press it again to return to your amp’s controls, or hold it down to bring up the Vypyr’s built-in tuner. Press the Amp encoder to switch between “channels,” and you’ll similarly see your LEDs change to reflect the different settings.All in all, it’s a pretty slick and surprisingly easy to use interface, and the stompbox/effect editing process is as straightforward as it can be. A line of Bank and Preset selection buttons are positioned underneath the three main encoders and allow you to quickly store any of your settings with just a touch of the button, much like a car stereo. And while this should do the trick for the average user who will just fiddle with the thing each time they play, power users will definitely want to upgrade to the Sanpera I or Sanpera II foot controller, which makes all of the patch business a lot easier (more on this momentarily).
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All the flashing lights in the world mean nothing if the tone’s not there, and I’m proud to report that the Vypyr 60 does not disappoint on this front. Backed by 60 watts, the 12 included amp models are all generally solid and include two channels; amps that don’t normally include a second channel have been given an additional “hot-rodded” circuit to choose from. Peavey has also painstakingly recreated the EQ sections of each amp model so that that they react as they would in real life, giving the Vypyr some definite tweaker cred.